Artist Story
Western Stories, Painted in Every Brushstroke
Every painting begins with inspiration from the Western lifestyle - early mornings, dusty trails, and the quiet pride of hard work.
Artist Story
Every painting begins with inspiration from the Western lifestyle - early mornings, dusty trails, and the quiet pride of hard work.
Growing up around horses and open land, the work kept coming back to those places — the quality of light in an arena, the texture of beaten soil, the quiet that sits after something happens fast. The first canvases were about holding that.
Each piece starts with a reference — a photo, a memory, or both — then works away from it. Wide tonal passes set the light and mood first. Texture and detail come last, built up by hand with brushes and palette knives until the surface feels earned.
Archival acrylics on sealed wood panel. The surface is prepared slowly — sealed, sanded, sealed again. Pigments pull from muted earth tones: ochre, burnt sienna, raw umber. Nothing that wouldn't exist in the land the painting came from.
There's no schedule. When a piece is finished — really finished — it goes to the site. Some stretches bring two or three paintings. Some bring none for a while. The Saddlebag list always hears first.
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A short note when new work leaves the studio. No campaigns, no schedule — just signal when it matters.
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